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A rotating structure is more trouble to make than it looks. The inner plaque and the outer ring are made separately, and the ring is closed over the plaque: close it too early and the plaque will not go in, too late and it is not held and falls out. That last closing is done by feel, which no machine can manage, so someone has to stand over it. The edge of the inner plaque is rounded, or it scrapes the inside of the ring as it turns. The inside of the ring is polished to a mirror, otherwise the rotation feels gritty.
Where the name Shan Gui comes from is disputed. Some read it as borrowing the title of the Mountain Ghost poem in the Nine Songs of the Chu Ci, a hymn to a deity of the mountains; others take it as a mountain spirit of folk belief with no link to the poem at all. The Shan Gui on a charm coin is paired with thunder command glyphs and is not the literary figure, and mixing the two leads to errors. The glyphs on these coins are drawn out, a single stroke wrapping half the circumference, and they cannot be cut in broken breaths. The characters sit centrally on some casts and high on others, depending on where the coin was made.
The point of the rotation is half practical and half tactile. The bagua deals in directions, and turning it to the orientation you want hands the choice to the wearer; the other half is the feel of it, since many people thumb the disc round a couple of times when their hands are idle, much like spinning a pen, a small steadying habit. Some treat it as a compass, which it is nowhere near: the bagua gives directions, not bearings.
How well it turns comes down to tolerance. Too tight and it jams halfway round; too loose and it swings as you walk, with a rattle to go with it. Silver runs smoothly against itself without oil because the metal is slippery, which is one advantage over brass. Dust in the seam will make it stiff over time; do not oil it, because oil attracts dust and the stiffness gets worse. Sound is a signal too: an over-loose joint clicks as you walk. Many people thumb the disc without noticing, on the same principle as rolling prayer beads.
Watch the rim of the outer ring, where the fingers rest while turning; made too thin, it presses uncomfortably. With use the contact band between inner and outer parts polishes to a bright line, which is inevitable, and there is no hiding it nor any need to. Take it off for a shower, or water carrying soap works into the seam and dries to a white film. Over a long period the bearing surfaces wear into grooves, and once those deepen the disc turns in catches.