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One character, one piece of silver, two ears. A seed syllable is a single Sanskrit character standing for a particular buddha or bodhisattva: one character contains one figure, and one ritual cycle as well. Seed syllables in the Tibetan system are usually written in Lantsa script, with strokes that coil and with fixed points of beginning and ending. They do not carry meaning; they carry sound. When you recite, you recite that sound; when you look, you look at that form. Characters of this kind are not broken down the way Chinese characters are. Where the stroke begins is where it ends.
The eight great guardians is a folk arrangement. Divided by the twelve zodiac animals, one animal to one patron buddha, eight of them go round the cycle a little more than once. The pairing circulates very widely and is sold that way in temple shops, but there is no one-to-one text for it in the canon; it is a later folk codification. Beyond the eight there are arrangements by year, with even more variants, which I will leave aside here. I say this not to undermine anyone but so that nobody carries it about as scriptural proof. In matters of belief, clarity matters more than enthusiasm.
The earrings are small discs, one character to each. There are two colours. The red leans warm and sits well with clothes in the southern red and amber range; the black is heavy and steady against plain or dark clothing. A fine ridge runs round the edge of the disc with the character in the middle, and the strokes read most clearly when the light comes from the front. The silver sheet is thin so that it does not drag on the ear, which is the first rule of any earring. The diameter is kept within the width of the lobe; wider and it looks clumsy. There is no need to buy the two colours as a pair, and two of the same colour is just as common.
The opening of the ear hook has to match the thickness of the lobe. Too tight and it will not go on, too loose and it slides off within two steps. The wire has to be thick enough; thin wire bends after two wearings, and once bent it is hard to restore. Worn together they make a pair, and worn singly one will do, with a different stud in the other ear, which changes the rhythm of the drop.
The sheet is thin, so do not clean it with toothpaste; the grit leaves a fog behind. The strokes are fine and collect grime, so use a soft brush with clean water rather than a needle. Do not bend the curve of the hook, because once bent it does not come back. Store the two separately so that the characters do not rub against each other. The fine ridge at the edge is the thinnest part of all: a knock curls it, and a curl cannot be pressed flat again.