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The two characters for “by imperial command” open a talisman; they mean the work is done under orders. On a plaque they usually sit at the top, a size larger than the taboo character below, holding the composition down. This piece puts command and Ziwei name on one face in two bands, the upper narrow, the lower wide, at about one to three. Get the proportion wrong and the characters crowd, and the face reads as heavy. The upper band also needs a narrow margin; characters pressed against the edge look printed on cloth rather than cut into metal.
A rectangle lays out characters more easily than a circle. Straight strokes can be kept straight, horizontals level and verticals true, so the angular turns of talisman script do not wander. The face needs enough empty space; crowd the characters to the edge and the thing loses its breath. Looking at a talisman plaque, see first whether it dares to leave blank ground. The ones that dare usually trust their own lettering. The ones that do not fill the space with ornament. The corners of a turn should be square; round them and it becomes regular script, and the force goes out of it. That is where a knowledgeable eye rests.
Large and small differ by more than size. On the small one the spacing tightens and the interior of the taboo character tends to close into a single block; the large one separates the strokes so you can see which lies over which. A slight person in the large size looks like the plaque is wearing them, and the small suits better. A tall, broad-shouldered person in the small size ends up with the plaque lost inside the collar. The hole scales too: a large plaque with a small hole will not take a thick cord, and the sale comes back.
No chain comes with it. The hole is at the top, running crosswise. The cord passes behind the neck, the face turns outward, and the plaque swings slightly as you walk. The body is thick with rounded edges, so a knock against a table edge will not chip it. The hole should be opened round; a rough bore frays the cord within days, and you only find out when you come to change it. With a crosswise hole the cord tends to slip to one side. A doubled cord holds it; a single strand keeps drifting and needs straightening every few steps.
Be careful how you talk about pieces like this. “By imperial command” belongs to ritual language; writing the two characters down does not give them weight. The taboo character differs between lineage texts, and one stroke cut wrong is visible to anyone who knows. In selling, it does no harm to say you are not an expert and will only answer for the workmanship; that is more credible. If you must talk, talk about where the character comes from, not about what it can do. Some customers take one to a Daoist priest and come back saying only that it is fine. That is enough; no further explanation is needed.